The influence of modernity within the Craft exemplifies what Max Weber described as ‘disenchantment’ (Weber, 1958). I apply the use of this term, disenchantment, somewhat liberally in the argument that follows, but I believe it ultimately remains true to the original observations made by Weber.

Masonry is a progressive moral science, divided into different degrees; and, as its principles and mystic ceremonies are regularly developed and illustrated, it is intended and hoped that they will make a deep and lasting impression upon your mind.

The topic at hand concerns this: can it be determined that there are influences of alchemy in masonic traditions of initiation. Specifically, by examining the “Initiation of the Alchemist” (my title for this work) illustration in the Theatrum Chemicum Brittanicum (1652).

In this presentation, I will discuss these anti-esoteric attitudes among freemasons, contrasting them with views of academics, who often make direct connections between Freemasonry and esotericism.

Ever since the advent of Sun sign astrology and newspaper horoscopes in the early 20th century, the nuanced complexity of this ancient art has become somewhat obscured.

Yet today women are still unwelcome in "Regular” Masonic Lodges and “Regular” Freemasons are forbidden from visiting co-masonic lodges.